Designed for novices as well as students of psychology and literary criticism, these systematic lectures do much to clarify Lacan's groundbreaking work on the birth of the subject and its links with Freud's theory of drives. Moreover, they answer some of the criticisms that have been leveled at Lacan by forms of psychoanalysis unable or unwilling to incorporate his ideas.
About this Book...
This companion text to Introduction the Reading of Lacan focuses on the concept of the psychic structures of desire. Using case examples, Dor explains the crucial difference between symptomsówhich can be phenomenologically graspedóand the actual psychic structure of the subjectówhich can be revealed only through the discourse of the patient in the psychoanalytic situation. This work brings life and practicality to a psychoanalytic movement that has been misperceived and divorced from the daily vicissitudes of analytic work.
About this Book...
"A major and long overdue addition to the America/English psychoanalytic literature. . . . All major concepts--among them the mirror stage, the Name-of-the-Father, metaphor and metonymy, the phallus, the foreclosure of the subject--are developed in depth."
-Nicholas Kouretsas, Harvard Medical School
In the early 1980s, Brian O'Dea was operating a $100 million a year, 120-man drug smuggling business, and had developed a terrifying cocaine addiction. Under increasing threat from the DEA in 1986 for importing seventy-five tons of marijuana into the United States, he quit the trade-and the drugs-and began working with recovering addicts in Santa Barbara. Despite his life change, the authorities caught up with him years later and O'Dea was arrested, tried, and sentenced to ten years at Terminal Island Federal Penitentiary in Los Angeles Harbor. A born storyteller, O'Dea candidly recounts his incredible experiences from the streets of Bogotá with a false-bottomed suitcase lined with cocaine, to the engine compartment of an old DC-6 whose engines were failing over the Caribbean, to the cell blocks overcrowded with small-time dealers who had fallen victim to the justice system's perverse bureaucracy of drug sentencing. Weaving together extracts from his prison diary with the vivid recounting of his outlaw years and the dawning recognition of those things in his life that were worth living for, High tells the remarkable story of a remarkable man in the late-1980s drug business and why he walked away.
From the Trade Paperback edition.
One day in early spring, Dorrit Weger is checked into the Second Reserve Bank Unit for biological material. She is promised a nicely furnished apartment inside the Unit, where she will make new friends, enjoy the state of the art recreation facilities, and live the few remaining days of her life in comfort with people who are just like her. Here, women over the age of fifty and men over sixty-single, childless, and without jobs in progressive industries-are sequestered for their final few years; they are considered outsiders. In the Unit they are expected to contribute themselves for drug and psychological testing, and ultimately donate their organs, little by little, until the final donation. Despite the ruthless nature of this practice, the ethos of this near-future society and the Unit is to take care of others, and Dorrit finds herself living under very pleasant conditions: well-housed, well-fed, and well-attended. She is resigned to her fate and discovers her days there to be rather consoling and peaceful. But when she meets a man inside the Unit and falls in love, the extraordinary becomes a reality and life suddenly turns unbearable. Dorrit is faced with compliance or escape, and...well, then what?
THE UNIT is a gripping exploration of a society in the throes of an experiment, in which the "dispensable" ones are convinced under gentle coercion of the importance of sacrificing for the "necessary" ones. Ninni Holmqvist has created a debut novel of humor, sorrow, and rage about love, the close bonds of friendship, and about a cynical, utilitarian way of thinking disguised as care.
From the Trade Paperback edition.
In this novel, Greek tragedy meets a dysfunctional family from Maryland, revealing how time and place matter little when it comes to the implacable logic of the darkest human emotions.
A family matriarch--half Medea, half Clytemnestra--calls home her three children, who take turns narrating the story. Quinn, the wonder boy who has become a successful actor in London, must fly in from England, putting a new love interest and a career-boosting role in a BBC production of the Oresteia on hold. Maury, whose life is defined by his Asperger's and a terrible crime committed when he was a teenager, rides in on a bus from his quiet, impoverished life out west. Candy, the eldest at fifty-five and the only one still a devout Catholic, is already in Maryland, where she takes care of her mother and dreams of retiring to North Carolina with her boyfriend. Once the family is reassembled in the childhood home, the pieces of a dark puzzle come together over brilliant and witty exchanges. Mewshaw invites us into the heart of a family dynamic, exploding prejudices about love, religion, and murder.
From the Trade Paperback edition.
Recipient of the Independent Publishers Award for Historical Fiction (Gold Medal), the Foreword Book of the Year Award for Historical Fiction (Bronze Medal), and an honorable mention in the category of General Fiction for the Eric Hoffer Award.
Luis de Santángel, chancellor to the court and longtime friend of the lusty King Ferdinand, has had enough of the Spanish Inquisition. As the power of Inquisitor General Tomás de Torquemada grows, so does the brutality of the Spanish church and the suspicion and paranoia it inspires. When a dear friend’s demise brings the violence close to home, Santángel is enraged and takes retribution into his own hands. But he is from a family of conversos, and his Jewish heritage makes him an easy target. As Santángel witnesses the horrific persecution of his loved ones, he begins slowly to reconnect with the Jewish faith his family left behind. Feeding his curiosity about his past is his growing love for Judith Migdal, a clever and beautiful Jewish woman navigating the mounting tensions in Granada. While he struggles to decide what his reputation is worth and what he can sacrifice, one man offers him a chance he thought he’d lost…the chance to hope for a better world. Christopher Columbus has plans to discover a route to paradise, and only Luis de Santángel can help him.
Within the dramatic story lies a subtle, insightful examination of the crisis of faith at the heart of the Spanish Inquisition. Irresolvable conflict rages within the conversos in By Fire, By Water, torn between the religion they left behind and the conversion meant to ensure their safety. In this story of love, God, faith, and torture, fifteenth-century Spain comes to dazzling, engrossing life.
In Beg, Borrow, Steal Michael Greenberg regales us with his wry and vivid take on the life of a writer of little means trying to practice his craft or simply stay alive. He finds himself doctoring doomed movie scripts; selling cosmetics from an ironing board in front of a women's department store; writing about golf, a game he has never played; and botching his debut as a waiter in a posh restaurant.
Central characters include Michael's father, whose prediction that Michael's "scribbling" wouldn't get him on the subway almost came true; his artistic first wife, whom he met in a Greenwich Village high school; and their son who grew up on the Lower East Side, fluent in the language of the street and in the language of the parlor. Then there are Greenberg's unexpected encounters: a Holocaust survivor who on his deathbed tries to leave Michael his fortune; a repentant communist who confesses his sins; a man who becomes a woman; a Chilean filmmaker in search of his past; and rats who behave like humans and cease to live underground.
Hilarious and bittersweet, Greenberg's stories invite us into a world where the familial, the literary, the tragic and the mundane not only speak to one another, but deeply enjoy the exchange.
The unconscious sprang to the attention of the West a hundred years ago, and we are still struggling to absorb its full impact. It was one thing to understand the concept, to see it and believe it, but another to live with it, to take in fully its challenge to our deepest cultural assumptions. Today, as we expand our understanding of its reach, we are still coming to grips with what it means. This “new unconscious” is driven by the identities we assume, the groups we belong to, the ideas we inherit, the languages we use–all the elements that provide meaning and structure to our world.
What You Don’t Know You Know is about this emergent understanding, and how it forces us to rethink our relationships with each other as well as our beliefs about what it means to be a person, to have a self. It is for all those who want a better understanding of the complexity of human motivation, whether as an executive faced with employees resisting change, an elected official trying to forge agreements among competing interests, a consultant brought in to restructure an ailing corporation, or individuals struggling to understand their relationships and why they do the things they do. All too often, our actions do not conform to our explicit intentions or to common sense. We are more constricted than we think, but sometimes
we are also smarter.
From the Hardcover edition.
In 1934, Veza Taubner and Elias Canetti were married in Vienna. Elias describes the arrangement to his brother Georges as a “functional” marriage. Meanwhile, an intense intellectual love affair develops between Veza and Georges, a young doctor suffering fromtuberculosis. Four years later, Veza and Elias flee Nazi-ruled Vienna to London, where they lead an impoverished and extremely complicated marital life in exile.
Spanning the major part of Elias’s struggle for literary recognition, from 1933, before the publication of his novel, Auto-da-Fé, to 1959, when he finished his monumental Crowds and Power, the Canetti letters provide an intimate look at these formative years through the prism of a veritable love triangle: the newly married Elias has a string of lovers; his wife, Veza, is hopelessly in love with an idealized image of his youngest brother, Georges; and Georges is drawn to good looking men as well as to his motherly sister-in-law. Independently and often secretly, the couple communicates with Georges, who lives in Paris: Veza tells of Elias’s amorous escapades and bouts of madness, Elias complains about Veza’s poor nerves and depression. Each of them worries about Georges’s health–if she could, Veza would kiss away the germs. Georges is an infrequent correspondent, but he diligently stores away the letters from his brother and sister-in-law. In 2003, long after his death, they were accidentally discovered in a Paris basement and comprise not only a moving and insightful document, but real literature.
From the Hardcover edition.
Gustav Rubin, a fur dealer in Vienna, flies to New York to spend the summer with his wife and two young children in a lake house north of the city. When he arrives late at JFK, he is met by his opinionated, unrelenting mother, Rosa. They rent a car and set out for Lake Gilead. But Gustav loses his way, and son and mother end up on the wrong side of the river. Trying to find the right route north, they become trapped on the Tappan Zee Bridge in the traffic jam of all traffic jams-a truck transporting toxic chemicals has turned over-and Gustav and Mother remain gridlocked high above the Hudson River. Gustav begins to think of his beloved father, a renowned intellectual, now eleven months dead. Then, in a surprising, highly original twist worthy of Kafka, both Gustav and Mother see the body - "the colossal, golem-like fatherbody" - of Ludwig David Rubin floating naked in the waters below.
Crossing the Hudson is a profound meditation on a Jewish family and its past, especially the lasting distorting effects on a son of a famous, vital father and a clinging, overwhelming mother, and of the differences between the generation of European intellectual refugees who arrived in the United States during the Second World War and the children of that generation.
Winner of the 2008 Governor General’s Award for Fiction
Montreal during the turbulent mid-1980s: Chernobyl has set Geiger counters thrumming across the globe, HIV/AIDS is cutting a deadly swath through the gay population worldwide, and locally, tempers are flaring over the recent codification of French as the official language of Quebec. Hiding out in a seedy apartment near campus, Alex Fratarcangeli (“Don’t worry. . . . I can’t even pronounce it myself”), an awkward, thirty-something grad student, is plagued by the sensation that his entire life is a fraud. Scarred by a distant father and a dangerous relationship with his ex Liz, and consumed by a floundering dissertation linking Darwin’s theory of evolution with the history of human narrative, Alex has come to view love and other human emotions as “evolutionary surplus, haphazard neural responses that nature had latched onto for its own insidious purposes.” When Alex receives a letter from Ingrid, the beautiful woman he knew years ago in Sweden, notifying him of the existence of his five-year-old son, he is gripped by a paralytic terror. Whenever Alex’s thoughts grow darkest, he recalls Desmond, the British professor with dubious credentials whom he met years ago in the Galapagos. Treacherous and despicable, wearing his ignominy like his rumpled jacket, Desmond nonetheless caught Alex in his thrall and led him to some life-altering truths during their weeks exploring Darwin’s islands together. It is only now that Alex can begin to comprehend these unlikely life lessons, and see a glimmer of hope shining through what he had thought was meaninglessness.
From the Trade Paperback edition.
“Women are not supposed to write; yet I write.” –Marceline Desbordes-Valmore
In 1817, at the late age of thirty-three,Marceline Desbordes, the actress and Romantic poet–the only woman counted by Paul Verlaine among his poètes maudits, or “accursed poets,” a group that included Victor Hugo, Charles Baudelaire, and Alfred de Vigny–marries Prosper Valmore, a fellow actor who brings love and stability to her tumultuous life. Such stability is short-lived, however:When she meets Henri de Latouche, an influential man of letters, they soon begin a passionate affair. Although their tryst does not last more than a year, their relationship survives through letters and memory. It sparks inspiration in Marceline’s work and leads her to create some of the most beautiful poetry in French literature. A talented poet, a romantic woman, a passionate lover, a nurturing mother, and a child at heart, Marceline Desbordes-Valmore is rescued from obscurity through Plantagenet’s dazzling writing in this fictionalized biography. The book will include a selection of Desbordes-Valmore’s poems in the original French and in an English translation by the Pulitzer Prize--winning poet Louis Simpson.
A shred of black lace. A broken hand mirror. A spidery strip of false eyelash. These are the fragments left to Irene Vilar, granddaughter of Lolita Lebrón, the revered political activist for Puerto Rican independence who in 1954 sprayed the U.S. House of Representatives with gunfire, wounding several congressmen, and served twenty-seven years in prison. In The Ladies' Gallery, Vilar revisits the legacy of her grandmother and that of her anguished mother, who leaped to her death from a speeding car when Vilar was eight.
Eleven years after her mother's death, Vilar awakens in a psychiatric hospital after her own suicide attempt and begins to face the devastating inheritance of abandonment and suicide passed down from her grandmother and mother. The familial pattern of self-destruction flings open the doors to her national inheritance and the search for identity. Alternating between Vilar's notes from the ward and the unraveling of her family's secrets, this lyrical and powerful memoir of three generations of Puerto Rican women is urgent, impassioned, and unforgettable.
From the Trade Paperback edition.
In early 2005, Richard Polsky decided to put his much-loved, hard-won Warhol Fright Wig, up for auction at Christie's. The market for contemporary art was robust and he was hoping to turn a profit. His instinct seemed to be on target: his picture sold for $375,000. But if only Polsky had waited . . . Over the next two years, prices soared to unimaginable heights with multimillion-dollar deals that became the norm and not the exception. Buyers and sellers were baffled, art dealers were bypassed for auction houses, and benchmark prices proved that trees really do grow to the sky. Had the market lost all reason?
In I Sold Andy Warhol (Too Soon), Polsky leads the way through this explosive, short-lived period when the "art world" became the "art market." He delves into the behind-the-scenes politics of auctions, the shift in power away from galleries, and the search for affordable art in a rich man's playing field. Unlike most in the art world, Polsky is not afraid to tell it like it is as he negotiates deals for clients in New York, London, and San Francisco and seeks out a replacement for his lost Fright Wig in a market that has galloped beyond his means. A compelling backdoor tell-all about the strange and fickle world of art collecting, I Sold Andy Warhol (Too Soon) takes an unvarnished look at how the industry shifted from art appreciation to monetary appreciation.
From the Hardcover edition.
If you wanted to buy a top-quality condom in prewar Germany, you bought Fromms Act, the first brand name condom and still a leading brand in the German market. The man behind this "pure German quality product" was Julius Fromm, a Jewish entrepreneur who had immigrated from Russia as a child. Fromm was in the right place at the right time: he patented Fromms Act in 1916, when the combination of changing sexual mores, awareness of sexual health, and the lack of reliable prophylactics meant a market primed for his product. In 1922 he began mass production and opened international branches. Sixteen years later, after building the brand into a best seller and the company into a model business, he was forced to sell Fromms Act for a fraction of its worth to a German baroness. In 1939 he emigrated to London.
Aly and Sontheimer trace Fromm's rise and fall, illuminating the ways Jewish businesses like his were Aryanized under the Nazis. Through the biography of this businessman and the story of his unusual and fabulously successful company, we learn the fascinating history of the first branded condoms in Germany and the sexual culture that allowed them to thrive, the heretofore undocumented machinations by which the Nazis robbed German-Jewish families of their businesses, and the tragedy of a man whose great love for the adopted country that first allowed him to succeed was betrayed by its government and his fellow citizens.
This captivating account offers a wealth of detail and a fresh array of photographic documentation, and adds a striking new dimension to our understanding of this dark period in German history.
From the Hardcover edition.
December 15, 1969, was the most important day of Mario Calabresi's life, although he would not be born for another year. On that date, the anarchist Giuseppe Pinelli fell to his death from a window at the Milan police headquarters, where he was being questioned about his role in the Piazza Fontana massacre, the most infamous episode of domestic terrorism in Italy.
Police Inspector Luigi Calabresi, Mario's father, was in the building, though not in the room, at the time of the accident. This didn't stop the rumors that Pinelli had been killed by Calabresi. These suspicions kicked off "a ferocious lynching, albeit in slow motion"--as the Italian paper La Repubblica characterized it--that culminated in the murder of Luigi Calabresi outside his home one morning in 1972. Calabresi left behind his pregnant wife and two young sons.
In this memoir, Mario Calabresi explores the personal and political fallout of Italy's era of domestic terrorism in a poignant and very personal account. His grief at the murder of his father is balanced by a desire to overcome the divisions that still scar Italy today. This powerful book calls not only for accountability but also for redemption. As Mario Calabresi's mother always told him, you have to look to the future, stake your bets on life, and refuse to be a prisoner of hatred.
In 1969, a young girl makes a trip from Coney Island to the swampy coastland on the rural outskirts of Helsinki, Finland. There, her death will immediately become part of local mythology, furnishing boys and girls with fodder for endless romantic imaginings. Everyone who lives near the swamp dreams about Eddie de Wire, the lost American girl. . . . For both Sandra and Doris, two lonely, dreaming girls abandoned in different ways by their parents, this myth will propel them into their coming-of-age through mischievous role-playing games of love and death, in search of hidden secrets, the mysteries of the swamp, and the truth behind Eddie’s death. The girls construct their own world, their own language, and their own rules. But playing adult games has adult consequences, and what begins as two girls just striking matches leads to an inferno that threatens to consume them and tear their friendship apart.
Crime mystery and gothic saga, social study and chronicle of the late sixties and early seventies, a portrait of the psyche of young girls on the cusp of sexual awakening, The American Girl is a bewitching glimpse of the human capacity for survival and for self-inflicted wounds. Fagerholm is a modern-day heir to the William Faulkner heritage of family tragedy, with a highly musical and literary prose style that is rich with wit and literary allusions. The American Girl will teach you the meaning of trust as you give yourself entirely to the original storytelling style of Monika Fagerholm.
From the Trade Paperback edition.
An English court in 1736 described rape as an accusation “easily to be made and hard to be proved, and harder to be defended by the party accused, though never so innocent. ”To prove the crime, the law required a woman to physically resist, to put up a “hue and cry,” as evidence of her unwillingness. Beginning in the 1970s, however, feminist and victim-advocacy groups began changing attitudes toward rape so the crime is now seen as violent in itself: the legal definition of rape now includes everything from the sadistic serial rapist to the eighteen-year-old who has consensual sex with a fourteen-year-old.
This inclusiveness means there are now more rapists among us. And more of rape’s camp followers: the prison-makers, the community watchdogs, law-and-order politicians, and the real-crime/real-time entertainment industry. Vanessa Place examines the ambiguity of rape law by presenting cases where guilt lies, but lies uneasily, and leads into larger ethical questions of what defines guilt, what is justice, and what is considered just punishment. Assuming a society can and must be judged by the way it treats its most despicable members, The Guilt Project looks at the way the American legal system defines, prosecutes, and punishes sex offenders, how this Dateline NBC justice has transformed our conception of who is guilty and how they ought to be treated, and how this has come to undo our deeper humanity
Song for My Fathers is the story of a young white boy driven by a
consuming passion to learn the music and ways of a group of aging
black jazzmen in the twilight years of the segregation era.
Contemporaries of Louis Armstrong, most of them had played in local
obscurity until Preservation Hall launched a nationwide revival of
interest in traditional jazz. They called themselves “the mens.” And
they welcomed the young apprentice into their ranks.
The boy was introduced into this remarkable fellowship by his
father, an eccentric Southern liberal and failed novelist whose powerful
articles on race had made him one of the most effective polemicists
of the early Civil Rights movement. Nurtured on his father’s belief in
racial equality, the aspiring clarinetist embraced the old musicians
with a boundless love and admiration. The narrative unfolds against
the vivid backdrop of New Orleans in the 1950s and ‘60s. But that
magical place is more than decor; it is perhaps the central player, for
this story could not have taken place in any other city in the world.
Alex has spent the majority of his adult life between two very different women--and he can’t make up his mind. Sonia, his wife and business partner, is everything a man would want. Intelligent, gorgeous, charming, and ambitious, she worked tirelessly alongside him to open their architecture firm and to build a life of luxury. But when the seven-year itch sets in, their exhaustion at working long hours coupled with their failed attempts at starting a family get the best of them. Alex soon finds himself kindling an affair with his college lover, Ivona. The young Polish woman who worked in a Catholic mission is the polar opposite of Sonia: dull, passive, taciturn, and plain. Despite having little in common with Ivona, Alex is inexplicably drawn to her while despising himself for it. Torn between his highbrow marriage and his lowbrow affair, Alex is stuck within a spiraling threesome. But when Ivona becomes pregnant, life takes an unexpected turn, and Alex is puzzled more than ever by the mysteries of his heart.Peter Stamm, one of Switzerland’s most acclaimed writers, is at his best exploring the complexities of human relationships. Seven Years is a distinct, sobering, and bold novel about the impositions of happiness in the quest for love.
Any man--or woman--who wants to hear nothing--or no more--about love should put this book down.
Anna and Louise could be sisters, but they don’t know each other. They are both married with children, and for the most part, they are happy. On almost the same day, Anna, a psychiatrist, crosses paths with Yves, a writer, while Louise, a lawyer, meets Anna’s analyst, Thomas. Love at first sight is still possible for those into their forties and long-married. But when you have already mapped out a life path, a passionate affair can come at a high price. For our four characters, their lives are unexpectedly turned upside down by the deliciously inconvenient arrival of love. For Anna, meeting Yves has brought a flurry of excitement to her life and made her question her values, her reliable husband, and her responsibilities to her children. For Louise, a successful career woman in a stable and comfortable marriage, her routine is uprooted by the youthful passion she feels for Thomas. Thought-provoking, sophisticated, and, above all, amusing, Enough About Love captures the euphoria of desire through tender and unflinching portraits of husbands, wives, and lovers.